Saturday, December 22, 2012

2012 (2009) Review in Light of the Events (or lack thereof) of December 21, 2012


2012 (2009)
Director: Roland Emmerich
Writers: Roland Emmerich and Harald Kloser
Producers: Michael Wimer, Roland and Ute Emmerich, Larry Franco, Mark Gordon, and Harald Kloser
Editors: David Brenner and Peter S. Elliot
Cinematography: Dean Seamer
Music: Harald Kloser and Thomas Wanker
Starring: John Cusack, Amanda Peet, Chiwetel Ejiofor, Thomas McCarthy, Oliver Platt, Liam Hames, and Zlatko Buric
Runtime: 2 hours 37 minutes
Rating: PG-13 (intense disaster, language)
Genre: Action/Adventure, Drama, Comedy (after yesterday)
Release Date: November 13, 2009

Before Watching the Movie: Keep in mind that all the Mayan prophecy crap you've been hearing and everything the movie is based off never happened. December 21, 2012 passed as any other day would, and if you keep this in mind, the movie will get funnier due to its absurdity.

Things people may find “objectionable”: There are some intense destruction and death scenes and a few minor swear words, but otherwise there isn't anything.

Intro: "It's the end of the world as we know it. And I feel fine." -R.E.M. For a couple years, mainly the last few, people, as you probably know, have been kinda freaking out because supposedly the Mayan calendar ended on December 21, 2012. Well, folks, it's December 22, 2012, and I think it's safe to say we all survived. But when people were actually making a kind of big deal about the whole apocalypse thing, ironically back in 2008 and 2009, 2012 was released. Being a fan of the cheesy over-the-topness of director Roland Emmerich's other films such as Independence Day, The Day After Tomorrow, and 10,000 BC, I decided to see it in theaters when it came out (so technically, I'm breaking my personal rule of only reviewing movies I've seen for the first time). It was kind of like Emmerich's other movies in that it was over the top and unrealistic, but had good effects. Then, yesterday, on December 21s. t, I decided to rent the movie from the library and watch it with some friends, keeping in mind that everything occurring in the movie was supposed to be happening as we watched it. It was about as I remembered. The effects were great, but the writing was stupid, the scientific concepts were absurd, and the movie was way too serious and overlong.

Plot: It turns out the Mayans were right (at least in the movie's world). The world is ending in 2012. Scientists predicted it 3 years before the catastrophe and now everything's going to hell. A writer named Jackson (Cusack) on vacation stumbles across a conspiracy that the world is going to end. As mysterious events happen across the globe, baffling scientists like the U.S. science advisor, Adrian Hemsley (Ejiofor). Jackson must go and save his ex-wife (Peet), her husband (McCarthy), and his untrusting kids from certain death on doomsday.

Ratings:
     -Directing/Cinematography: 5/10. Roland Emmerich actually does know how to direct. The cinematography was good, it was just his decisions that turned the movie to crap. By decisions, I mean to make the damn thing 2 1/2 hours long, make it super serious, and use about every freaking cliché in the book. It's these directing decisions and not the cinematography and the visuals that earn him the low grade on this category.
     -Acting: 4/10. Waaaaaaaaayyyy overacted. By everyone. I think this is mostly the fault of the director, but it got so overacted and over-serious at times, it became incredibly hard to take the movie seriously. A couple of my friends and I broke out laughing during some ultra-serious scenes just because of how over-the-top and overacted it was. Also, the Russian guy, played by Zlatko Buric, had such a heavy accent that I thought he sounded a lot like Jabba the Hutt.
     -Writing: 3/10.
          -Story: 4/10. "Daddy, how do you spell unrealistic?" "T-w-e-n-t-y -T-w-e-l-v-e, dear." Yes, it was that bad. As with other Roland Emmerich films (mainly The Day After Tomorrow and 10,000 BC), it is possible to compare 2012 to the Republican Party in that neither care too much for facts (Sorry, conservative readers. Please still read my blog!). The movie was loaded with absurd scientific inaccuracies and impossibilities. The plot was also very predictable too. It was very easy to tell who was going to live or die and what chain of events was going to take place. The only reason this gets a 4 is because of the pretty good usage of the intertwining stories. While the stories that might intertwine are stupidly written, at least they connect well. There were only one or two concepts in the movie that were actually kind of cool. The rest were lame and unrealistic.

          -Script: 2/10. Oh dear God, where to start. The script was extraordinarily cheesy and included the classic disaster line of someone dramatically saying "my god." Keeping in mind I took an AP Physics final just 4 days before, there was one line in particular that stuck out in a bad way. Two characters are talking about a mine shaft and how it is becoming unbearably hot due to the Earth's climate change. One character reports, "Temperatures are rising at an incredible velocity!" Temperatures are not objects, and therefore have no velocity because they cannot move. Their rate can rise incredibly, but their velocity. Anyway, my friends, 4 of which have braved or are braving AP Physics had a lot of fun laughing at that.                                                               
                                                                                                          ^ Some good end of the world-themed music to listen to while 
                                                                                                                                                   reading this review.
     -Special Effects: 10/10. If there was a bright spot in the movie, this was definitely it. The effects and visuals as a whole were very good. The movie looked great. It was just everything else that killed it.
     -Music/Score: 8/10. Pretty good score, but not Oscar-worthy. It wasn't incredible, but it worked nicely.
     -Power/Emotion: 3/10. There wasn't a ton of emotional attachment to any of the characters in the movie. In fact, in one scene, a character dies heroically and like 2 minutes later no one in the movie or the audience really cares about him. The only emotion produced by the movie is due to seeing the world destroyed and people trying to survive. Even so, you know everything is going to be ok because of the cheesiness and predictability of the plot.
     -Adrenaline: 7/10. Despite my panning of the movie in other areas, I must admit that Roland Emmerich does know how to make an exciting movie, even if the movie's writing, acting, and historical/scientific accuracies are not great.
     -Intelligence: 1/10. The movie is really pretty stupid. Though they thrown scientific jargon at you every once in a while, it is pretty easy to understand and is most likely scientifically inaccurate anyway.
     -Stupidity: 10/10. The movie seems extremely stupid, even comedic, after the events (or lack thereof) of yesterday. Even so, the movie was stupid to begin with. I mean, the crust shrinking? Massive floods covering the whole country of India and going over Himalayan peaks? Come on, was this ever going to be remotely realistic whatsoever? It only looks more stupid now that we've all survived the supposed apocalypse.
     -Humor: Intentional: 1/10. Unintentional: 5/10. Parts of the movie, especially the lines and the science, got laughably bad. Also, it was fun laughing at it because the events of the movie were supposed to be happening while we were watching it, so the irony became funny. It really loses most of its shock value (if it had much to begin with) now that the doomsday date it was based off has now passed.
This is an accurate summary of the Humor section of the review
     -Best Credit: John Mee as "Angry billionaire."
     -Final Score: 2012 really wasn't and isn't a great movie. It's way too serious, inaccurate, formulaic, and long to be that enjoyable. You should only really watch 2012 to make fun of it (like I did yesterday). If you're looking for a better disaster movie, check out the original Godzilla or Independence Day, as both are far more enjoyable.

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Sunday, December 2, 2012

Jesse James Meets Frankenstein's Daughter (1966) Review


The movie was released as a double feature
with Billy the Kid vs. Dracula. It makes
sense because the movies have the same
director, producer, writer, cinematographer,
and orchestrator.
JESSE JAMES MEETS FRANKENSTEIN'S DAUGHTER (1966)
Director: William Beaudine*
Writer: Carl Hittleman*
Producer: Carroll Case*
Editor: Hahahahaha!!! There's no editor listed!! This should tell you something about this fine film!
Cinematography: Lothrop Worth*
Music: Raoul Kraushaar*
Starring: John Lupton, Narda Onyx, Cal Bolder, Estelita Rodriguez, Jim Davis, and Steven Geray
Runtime: 1 hour 28 minutes
Rating: None (Comparable to PG)
Genre: Western, Horror, Sci-Fi
Release Date: April 10, 1966
*= held the same position for Billy the Kid vs. Dracula

Things people may find “objectionable”: There is one gunfight scene that isn't that bad. There is also a little blood, but barely any. In no way is it dripping or gushing out. It's just a wound or two. Finally, there are a couple scenes involving strangling, but it isn't that violent compared with the kind of stuff you see in movies today. Though it isn't rated, I'd say it's comparable to PG.

Intro: This October was great for bad movies. The sad truth is, I only DVR-ed two, this and Billy the Kid vs. Dracula, but these two were totally worth it. As promised in my review of Billy the Kid vs. Dracula, here is the review of its companion piece Jesse James Meets Frankenstein's Daughter. The two movies were released as a double feature and the crew is almost identical for both. You would then assume the two movies would be similar in terms of badness and enjoyability, but this isn't the case. Though both movies are quite bad, Jesse James Meets Frankenstein's Daughter is the worse, and yet more enjoyable, of he two just because of how bad it is. The writing, acting, and special effects are crap and it's ridden with historical inaccuracies and stupidity,  which serve as proof that the filmmakers just didn't give a crap. And this makes it enjoyable if you're a bad movie fan like me.

Plot: After a failed stagecoach robbery, Jesse James (Lupton) and his partner Hank Tracy (Bolder) are on the run for the law. Tracy is badly injured by a bullet wound and he needs to get to a doctor, but the two have nowhere to go, since they will be arrested if they go near any town. They soon meet a local named Juanita (Rodriguez) who leads them to a doctor in a castle a few miles out of town. This doctor is Maria Frankenstein (Onyx), the famous Frankenstein's granddaughter (the title is a misnomer) who relocated from Europe to practice more freely. With one experimental brain from her grandfather left, Maria needs new test subjects other than some local boys she has used and killed in the process. When Jesse and Hank come by, Maria sees an opportunity in Hank to help her get power. Jesse must try and save Hank and Juanita from Maria before it's too late and she begins to gain power.

Ratings:
     -Directing/Cinematography: 5/10. Not horrible, but not exceptional. I feel pretty much any guy with a camera and a tripod could've done just as good of a job. It wasn't special in the least.
     -Acting: 3/10. It's kind of interesting since I saw this movie only a few days after seeing Lincoln. The acting in Lincoln was phenomenal and worthy of all kinds of Oscars. Then you get to Jesse James Meets Frankenstein's Daughter. The acting was crap. The actors could all read their lines ok, but most of them weren't great at conveying emotions. It became funny sometimes watching the actors try and fail epically at conveying emotion. The best and funniest part about the acting was the actors trying to speak spanish and totally sounding like a bunch of ignorant white guys who didn't even know what they were saying. And that's probably how it was too.
     -Writing: 3/10.
          -Story: 3/10. "Hmm... We want to make a western, but I also kinda want to make a horror film." "I got it! Let's combine them! We'll have Jesse James meet Frankenstein's daughter! That's brilliant!" I have a feeling this is how they writers came up with the idea for the story.
          -Script: 3/10. Extremely uninspiring script. It was written by the same guy who wrote Billy the Kid vs. Dracula, so you can imagine how good it is. 
     -Special Effects: 2/10. Terrible. It's fun to laugh at just how bad some of the sets are. In some shots, it's clear that there's a town for a good 40-50 feet and the rest is pretty obviously a painting. The best moment is when they zoom in on the painting to look at the castle, showing you even more clearly that it's a painting.

     -Music/Score: 3/10. Nothing at all special about the score. It didn't stick out at all. It was just kinda there.
     -Power/Emotion: 1/10. They try to make you care about the characters by putting love stories and emotional backgrounds to the characters, but it really doesn't work. I can't say I really cared that deeply about any of the characters. I think I could care more about the used kleenex I have in my pocket (which I threw out while writing this sentence) than a majority of these characters.
     -Adrenaline: 2/10. Not really exciting at all, but at least after the first 30 minutes the plot actually goes somewhere unlike Billy the Kid vs. Dracula's.
     -Intelligence: 1/10. The movie was created for cheap entertainment and a quick profit, and that's really all it's good for. See stupidity section below.
     -Stupidity: 9/10. Oh this factors in quite a bit. First of all, the name is stupid and the idea is stupid. The point of this and Billy the Kid vs. Dracula was to make a quick profit off the name alone, and their goal was achieved. Also, holy crap, the historical inaccuracies! Here's a list of just a couple below, plus a really stupid shot.
          -Historical Inaccuracies: Part of the stupidity section, but needed another section to cover them all. For this, let's assume the movie takes place in the 1870s or early 1880s, since Jesse James died in 1882. Yes, I really did take the time to look this up and find these shots.
Licking an envelope
               -Licking an envelopeThe glued envelopes you lick, or "gummed envelopes" were invented around the 1890s. The invention of envelopes you lick came at least 5 years after the movie is supposed to take place.
Plastic Helmet
Backwards desk. Notice the drawers
      -Plastic Helmets: It's pretty clear that the mind-helmet thing Maria uses to kickstart Igor/Hank has at least some plastic in it. The plastic we know today wasn't invented until 1907, at least 25 years after the movie is supposed to take place.
          -This Shot--------->: Notice how Maria Frankenstein is sitting at a desk. Also notice how all the drawers and place where she puts her chair are facing the audience. In other words, she's sitting on the wrong side of the desk. Yes, the desk is backwards, Ladies and Gentlemen.
     -Humor: Intentional: 1/10; Unintentional: 5/10. Laughing at the stupidity and historical inaccuracies was fun. The acting was also hilariously bad at times. Definitely an entertaining bad movie when you pay attention to some of the details. Much funnier than its counterpart, Billy the Kid vs. Dracula.
     -Best Credit: None. They had a pretty minuscule cast and crew.
     -Final Score: Jesse James Meets Frankenstein's Daughter was both worse and better than Billy the Kid vs. Dracula. While it was a worse movie, this made it watchable and entertaining, unlike its counterpart. If you're looking for a stupid movie and/or cheap entertainment, watch Jesse James Meets Frankenstein's Daughter instead of Billy the Kid vs. Dracula. If nothing else, make sure you count the historical inaccuracies. And you think I trashed it? This article argues that it's the worst Western ever made.

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